Musings on ballet, classical music, the violin, and life
There is this moment In Helgi Tomasson’s Nutcracker where the party host, Dr. Stahlbaum, connects two electrical cords and the Christmas tree in the family’s San Francisco living room lights up. Everyone oohs and aahs because in-house electricity was a new-fangled thing in 1915, the year in which the production is set. The irony is … Read more
In 2004, San Francisco Ballet’s then-Artistic Director Helgi Tomasson took a creative leap with a new production of the perennially popular Nutcracker. Stakes were high; the San Francisco Ballet was, after all, the first U.S. company to stage and produce a full-length version (based on the Ivanov/Petipa 1892 original), which premiered on Christmas Eve, 1944, there … Read more
Exciting news just announced by San Francisco Ballet: encore performance of Swan Lake with thrilling guest artists. Details below! I know some of you, my dear readers, are classical music fans but not ballet fans. Likewise, some among you are just as happy—maybe you even prefer—to see contemporary ballet works set to jazz, soul, even electronica. … Read more
Looking for The Classical Girl’s review of Program B? Here you go! www.bachtrack.com Prepare yourself, dance world. San Francisco Ballet’s Unbound, a festival featuring twelve new works, is about to land in San Francisco. And it’s going to be big. An unprecedented, mind-expanding, creatively explosive extravaganza that includes the following: Twelve internationally acclaimed choreographers Four programs running … Read more
It was the perfect setting, weather-wise, for attending San Francisco Ballet’s Frankenstein last Saturday night, following Friday’s North American premiere of this co-commission with the Royal Ballet. Storm clouds scudded over the darkened February skies, recent rains abated, an uneasy truce between storms that you knew would not last. Frankenstein weather. Something big was about to happen. … Read more