Josef Suk’s “Scherzo fantastique”

It was love at first sight—or hearing—for me with Josef Suk’s Scherzo fantastique, a lively 15-minute composition that bears a stylistic resemblance to my other faves, Khachaturian’s Masquerade waltz and Saint Saëns’ Danse Macabre, not to mention elements from Dukas’ The Sorcerer’s Apprentice, which I blogged about HERE. But only when I started delving deeper … Read more

Clara Wieck, the “other” Schumann

The only reason I chanced upon Clara Schumann’s compositions was a recent YouTube playlist suggestion, which sent my thoughts in two directions. First, I thought, “Shouldn’t I have heard her music live in my twenty-plus years as a San Francisco Symphony subscriber? What’s up with that? Why do her works continue to be unappreciated and … Read more

Classical Girl’s Top 10 works for Holy Week

As a lifelong Catholic, I’ve always taken Holy Week seriously in a personal way, and the reading of The Passion on Palm Sunday always deeply affects me. You’d think I’d never heard the story before, of Jesus’s triumphant arrival into Jerusalem, his Last Supper, praying in the garden of Gethsemane, his betrayal by one of … Read more

10 musical reasons to love Samuel Barber

The list must begin with the Violin Concerto. Because it all began with the Violin Concerto. For me, at least. Sure, I’d heard Samuel Barber’s ever-popular Adagio for Strings, but although I loved it like most people do, it was simply that “that lovely, affecting tear-jerker” from a compilation CD I’d had for years and … Read more

More things my cats have taught me about ballet

I wrote my first post on this in 2013, mere months after I’d started my blog. I didn’t have a lot of posts or readers back then. I’d feel lucky to get twenty views a day, and I’d savor that number, cheering when it rose to thirty and feeling teary when it dropped to ten … Read more