Musings on ballet, classical music, the violin, and life
There is this moment In Helgi Tomasson’s Nutcracker where the party host, Dr. Stahlbaum, connects two electrical cords and the Christmas tree in the family’s San Francisco living room lights up. Everyone oohs and aahs because in-house electricity was a new-fangled thing in 1915, the year in which the production is set. The irony is … Read more
Marius Petipa’s 1898 classic, Raymonda, has long been due for a reboot. Set during the Crusades, it features a courtly knight and his betrothed, the helpless but beautiful Raymonda. In this current Bolshoi staging, the gallant Jean de Brienne heads off to fight the infidels, leaving Raymonda to fend for herself (or not) against a … Read more
Question: what makes choreographer Christopher Wheeldon’s stunning ballet, Cinderella, come so magically alive onstage? Answer: it’s everything. The scrim that gives the prologue a dreamy, cinematic feel. The four benevolent Fates who blend into the shadows. Prokofiev’s affecting music. Wheeldon’s choreography. The really, really good dancers. The tree that sprouts from Cinderella’s tears at her … Read more